woman

Paul Berthon Salon Des Cent

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Paul Berthon Salon Des Cent

French Art Nouveau Poster (1895)

Salon des Cent (“Salon of the One Hundred”) was a commercial art exhibition in Paris, based at 31 Rue Bonaparte. The Salon sold color posters, prints and reproductions of artwork to the general public at reasonable prices. The salon held exhibitions until 1900. Many of the posters advertising Salon des Cent exhibitions have themselves become collectors’ items.
Paul Emile Berthon was a French artist who produced primarily posters and lithographs.Berthon’s work is in the style of Art Nouveau, much like his contemporary Alphonse Mucha. Berthon studied as a painter in Villefranche before moving to Paris.

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Alphonse Mucha La Plume Zodiac

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Alphonse Mucha – Zodiac ~ La Plume (1896)

A beautiful Art Nouveau Lady. Alphonse Mucha’s famous Art Nouveau poster “Zodiac,” also known as “La Plume.”was designed in 1896 as a calendar printed by F. Champenois, Paris. Shortly thereafter, the popular French Magazine “La Plume” purchased the rights to distribute it as the magazine’s calendar for 1897. The image was widely popular, and it became synonymous with the magazine.

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Claude Monet Woman With A Parasol

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Claude Monet Woman With A Parasol / Madame Monet And Her Son (1875)

Claude Monet was a founder of French Impressionist painting. Monet’s beautiful landscape scene depicts Camille, in a white dress, with a veiled hat, carrying a parasol. Monet’s son is standing off in the background in the field. Woman With A Parasol is one of Monet’s most famous paintings.

Woman With A Parasol

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John William Waterhouse The Lady Of Shalott

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John William Waterhouse The Lady Of Shalott (1888)

The Lady of Shalott is an 1888 oil-on-canvas painting by the English Pre-Raphaelite painter John William Waterhouse. The work is a representation of a scene from Alfred Lord Tennyson’s 1832 poem of the same name, in which the poet describes the plight of a young woman, loosely based on the figure of Elaine of Astolat from medieval Arthurian legend, who yearned with an unrequited love for the knight Sir Lancelot, isolated under an undisclosed curse in a tower near King Arthur’s Camelot. Tennyson also reworked the story in Elaine, part of his Arthurian epic Idylls of the King, published in 1859, though in this version the Lady is rowed by a retainer in her final voyage. Waterhouse painted three different versions of this character, in 1888, 1894 and 1915.

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