Claude Monet The Japanese Footbridge (1899)
Japanese Footbridge is an oil painting by Claude Monet. It was painted in 1899. In 1893 Monet moved to a house in rural Giverny. In 1893 and the years following, he turned a swampy area at Giverny into a water lily pool. It became a source of artistic inspiration. In 1899 Monet painted 12 works that centered on the garden and the Japanese Footbridge he constructed.
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Vincent Van Gogh Still Life With Absinthe
1887 Fine Art Painting
Still life paintings by Vincent van Gogh is the subject of many drawings, sketches and paintings by Vincent van Gogh in 1886 and 1887 after he moved to Paris from the Netherlands. While in Paris, Van Gogh transformed the subjects, color and techniques that he used in creating still life paintings.
He saw the work and met the founders and key artists of Impressionism, Pointillism and other movements and began incorporating what he learned into his work. Japanese art, Ukiyo-e, and woodblock prints also influenced his approach to composition and painting.
In the 19th century, absinth was a popular drink with many, including artists like van Gogh. This still life shows a glass of absinth on a cafe table, near a bottle of water.
This beautiful vintage fine art painting features a glass of absinthe and a carafe filled with water.
Vincent Van Gogh Seascape Near Les Saintes-Maries-de-la-Mer
1888 Fine Art Painting
Louvre, Paris
Expressive monochrome drawing of the iconic Louvre in Paris, France.
Paul Cezanne Still Life with A Curtain And Flowered Pitcher (1895)
“Still Life with A Curtain And Flowered Pitcher” is a post-impressionist fine art painting by Paul Cezanne featuring oranges and apples on a table, fruits on a plate, a flowered water pitcher and a curtain with an autumn leaves pattern.
Paul Cezanne was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cezanne can be said to form the bridge between late 19th-century Impressionism and the early 20th century’s new line of artistic enquiry, Cubism.
