Vincent Van Gogh Irises (1889)
Irises is one of many paintings of irises by the Dutch artist Vincent van Gogh. Like many artists of his time Van Gogh was influenced by Japanese ukiyo-e woodblock prints. The strong outlines, unusual angles, including close-up views, is a typical element of Japanese woodblock prints which helped to inforce the expressive power of the painting.
Vincent Van Gogh Self Portrait With Palette (1889)
Vincent Willem van Gogh was a post-Impressionist painter whose work was most notable for its rough beauty, emotional honesty, and bold color. The dozens of self-portraits by Vincent van Gogh were an important part of his oeuvre as a painter. He was a prolific self-portraitist, who painted himself 37 times between 1886 and 1889.. The paintings vary in intensity and color and some portray the artist with beard, some beardless, some with bandages This self-portrait was painted in Saint-Remy in 1889 and depicts Vincent van Gogh, holding a palette in his left hand. The vivid orange of his hair and beard create a startling contrast to the bold blue background.
Vincent Van Gogh Cafe Terrace At Night (1888)
Cafe Terrace at Night, also known as The Cafe Terrace on the Place du Forum, is a coloured oil painting executed by the Dutch artist Vincent van Gogh on an industrially primed canvas of size 25 (Toile de 25 figure) in Arles, France, mid-September 1888. The painting is not signed, but described and mentioned by the artist in his letters on various occasions. There is also a large pen drawing of the composition which originates from the artist’s estate.
Vincent van Gogh The Mulberry Tree (1889)
Vincent van Gogh was a Dutch post-Impressionist painter whose work, notable for its rough beauty, emotional honesty and bold color, had a far-reaching influence on 20th-century art. This is a beautiful landscape painting of a mulberry tree in bright autumn colors.
Vincent Van Gogh Vase With Pink Roses (1890)
Vase with Pink Roses was painted in 1890 by Vincent van Gogh in Saint-Remy. At the time Van Gogh was readying himself to leave the Saint-Remy asylum for the quiet town of Auvers-sur-Oise outside of Paris. The still life reflects the optimism Van Gogh felt at that time about his future, both in his choice of flowers as a subject and the colors used.
