Vincent Van Gogh Blossoming Almond Tree

Blossoming Almond Tree

Vincent Van Gogh Blossoming Almond Tree Poster

Blossoming Almond Tree or Almond Blossoms (1890) is a painting by Dutch post-impressionist artist Vincent van Gogh. Theo wrote to his brother Vincent on January 31, 1890 to announce the birth of his son, Vincent Willem Van Gogh. As a means of celebration, Van Gogh began work on a painting for Theo and his wife. He was very close to his brother and he sought to symbolize new life in the flowers of the almond tree for the birth of baby Vincent. The composition is unlike any other of Van Gogh’s paintings.

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Vincent Van Gogh Self Portrait

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Vincent Van Gogh Self Portrait 1887

The dozens of self-portraits by Vincent van Gogh were an important part of his oeuvre as a painter. Vincent van Gogh created many self-portraits. Most probably, Van Gogh’s self-portraits are depicting the face as it appeared in the mirror he used to reproduce his face, i.e. his right side in the image is in reality the left side of his face.
Vintage fine art painting, Paris, June 1887.
Oil on cardboard.

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Vincent Van Gogh Le Moulin De La Galette Print

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Vincent Van Gogh Le Moulin De La Galette Print

1887
Le Moulin de la Galette is the subject and title of several paintings made by Vincent van Gogh in 1886 of a windmill. The Moulin de la Galette was near Van Gogh’s apartment with his brother, Theo in Montmartre. The owners of the windmill maximized the view on a butte overlooking Paris, creating a terrace for viewing and a dance hall for entertainment. The windmill paintings are a subset of paintings from Montmartre.

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Vincent Van Gogh Along The Seine Print

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Vincent Van Gogh Along The Seine Print

1887 Fine Art Painting
Along The Seine is a painting that Vincent van Gogh made in 1887. The Seine has been an integral part of Parisian life for centuries for commerce, travel and entertainment. Here Van Gogh primarily captures the respite and relief from city life found in nature.
A few of the paintings were made in Paris and the rest in the northwestern suburbs of Paris in Clichy and Asnieres. Through these works the audience can see a transition in Van Gogh’s work from one of dark colors and serious themes to more joyous use of color and light and choice of themes.
In the Netherlands Van Gogh was influenced by great Dutch masters as well as cousin-in-law Anton Mauve a Dutch realist painter who was a leading member of the Hague School. In Paris Van Gogh was exposed to and influenced by Impressionism, Symbolism, Pointillism, and Japanese woodblock print genres which were overtime integrated into his works. The spring of 1887 seemed to trigger an awakening within Van Gogh where he experimented with the genres to develop his personal style.

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