Vincent Van Gogh Basket Of Pansies On A Small Table
1887 Fine Art Painting
Basket of Pansies (F244) is an example of Van Gogh’s experimentation with contrasting colors. In this case the contrasting pair are purple and yellow.He also used the contrasting red in the tambourine and green in the background for the painting, also known as Tambourine with Pansies. Van Gogh found pansies an example of natural color theory.
Vincent Van Gogh Night (After Millet)
1889 Fine Art Painting
Copies by Vincent van Gogh form an important group of paintings executed by Vincent van Gogh between 1887 and early 1890. While at Saint-Paul asylum in Saint-Remy-de-Provence, France, where Van Gogh admitted himself, he strived to have subjects during the cold winter months. Seeking to be reinvigorated artistically, Van Gogh did more than 30 copies of works by some of his favorite artists. About twenty-one of the works were copies after, or inspired by, Jean-Francois Millet. Rather than replicate, Van Gogh sought to translate the subjects and composition through his perspective, color, and technique. Spiritual meaning and emotional comfort were expressed through symbolism and color. His brother Theo van Gogh would call the pieces in the series some of his best work.
Vincent Van Gogh The Potato Eaters
The Potato Eaters (Dutch: De Aardappeleters) is an oil painting by Dutch artist Vincent van Gogh painted in 1885.
Vincent Van Gogh Vase With Gladioli And China Asters
1886 Fine Art Painting
Paul Cezanne Still Life with A Curtain And Flowered Pitcher (1895)
“Still Life with A Curtain And Flowered Pitcher” is a post-impressionist fine art painting by Paul Cezanne featuring oranges and apples on a table, fruits on a plate, a flowered water pitcher and a curtain with an autumn leaves pattern.
Paul Cezanne was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cezanne can be said to form the bridge between late 19th-century Impressionism and the early 20th century’s new line of artistic enquiry, Cubism.
