Paul Cezanne Still Life With Fruit, Curtain And Flowered Pitcher

Paul Cezanne Still Life with A Curtain And Flowered Pitcher (1895)

“Still Life with A Curtain And Flowered Pitcher” is a post-impressionist fine art painting by Paul Cezanne featuring oranges and apples on a table, fruits on a plate, a flowered water pitcher and a curtain with an autumn leaves pattern.
Paul Cezanne was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cezanne can be said to form the bridge between late 19th-century Impressionism and the early 20th century’s new line of artistic enquiry, Cubism.

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Vincent Van Gogh Three Sunflowers In A Vase

Vincent Van Gogh Three Sunflowers In A Vase (1888)

Sunflowers (original title in French: Tournesols) are the subject of two series of still life paintings by the Dutch painter Vincent van Gogh. The earlier series executed in Paris in 1887 depicts the flowers lying on the ground, while the second set executed a year later in Arles shows bouquets of sunflowers in a vase. In the artist’s mind both sets were linked by the name of his friend Paul Gauguin, who acquired two of the Paris versions. About eight months later Van Gogh hoped to welcome and to impress Gauguin again with Sunflowers, now part of the painted decoration that he prepared for the guestroom of his Yellow House, where Gauguin was supposed to stay in Arles. After Gauguin’s departure, Van Gogh imagined the two major versions as wings of the Berceuse Triptych, and finally he included them in his exhibit at Les XX in Bruxelles.
Sunflowers (F.453), first version: turquoise background
Oil on canvas, 73.5 x 60 cm
Private collection

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Vincent Van Gogh Vase With Pink Roses

Vincent Van Gogh Vase With Pink Roses (1890)

Vase with Pink Roses was painted in 1890 by Vincent van Gogh in Saint-Remy. At the time Van Gogh was readying himself to leave the Saint-Remy asylum for the quiet town of Auvers-sur-Oise outside of Paris. The still life reflects the optimism Van Gogh felt at that time about his future, both in his choice of flowers as a subject and the colors used.

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