Vincent van Gogh Starry Night (1889)
Vincent Van Gogh Starry Night: The Starry Night (“De sterrennacht”) is a painting by Dutch post-impressionist artist Vincent van Gogh. It has been in the permanent collection of the Museum of Modern Art in New York City since 1941. The painting is among Van Gogh’s most well-known works.
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Vincent Van Gogh – Starry Night Over the Rhone (1888)
Starry Night Over the Rhone (September 1888) is one of Vincent van Gogh’s paintings of Arles at night time in Arles. It was painted at a spot on the bank of the Rhone River that was only a one or two-minute walk from the Yellow House on the Place Lamartine which Van Gogh was renting at the time. The night sky and the effects of light at night provided the subject for some of his more famous paintings, including Cafe Terrace at Night (painted earlier the same month) and the later canvas from Saint-Remy, The Starry Night.
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Blue Moon Silk Stockings Vintage Advertisement
Blue Moon Silk Stockings, 1920s US vintage advertisement, featuring a beautiful blonde, sitting on a crescent moon. The painting is an interpretation of the masterpiece by Gustav Tenggren.
Vincent Van Gogh Eugene Boch Portrait
1888 Fine Art Painting
Vincent van Gogh implemented this ideology to pursue his goal of depicting his own feelings toward and involvement with his subjects. Van Gogh’s portraiture focuses on color and brushstrokes to demonstrate their inner qualities and van Gogh’s own relationship with them.
Eugene Boch was a Belgian painter who was the younger brother of Anna Boch, a founding member of Les XX. Born into a wealthy dynasty of manufacturers of fine china and ceramics, still active today under the firm of Villeroy & Boch, Eugene Boch enrolled in the private atelier of Leon Bonnat in Paris, in 1879. Since 1882, when Bonnat closed his atelier, he studied at the atelier of Fernand Cormon. Paintings of him were admitted to the Salon in 1882, 1883 and 1885. In June 1888, he was introduced by Dodge MacKnight to Vincent van Gogh.
The portrait was executed in the first days of September 1888, a few days before Boch’s departure. In the first version of Van Gogh’s Bedroom, executed in October 1888, this portrait is shown hanging to the left of the portrait of Paul-Eugene Milliet. Arranged this way, both portraits may have formed part of the Decoration for the Yellow House.
