Ernst Haeckel Sea Anemones

June 25, 2015 | Art Gallery

Ernst Haeckel Sea Anemones Marine Vintage Illustration

The 49th plate from Ernst Haeckel’s natural history book ‘Kunstformen der Natur’ (Art Forms In Nature) of 1904, showing various sea anemones classified as Actiniae.
Victorian era science illustration in lush colors.
Sea anemones are a group of water-dwelling, predatory animals of the order Actiniaria. They are named for the anemone, a terrestrial flower. As cnidarians, sea anemones are related to corals, jellyfish, tube-dwelling anemones, and Hydra.
Movement: Art Nouveau, Art Deco
Artistic scientific underwater animal colorful pattern fine art featuring beautiful sea creatures.

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Johannes Janson A Formal Garden

September 30, 2014 | Art Gallery

Johannes Janson A Formal Garden (1766)

Johannes Janson is known for his idyllic landscapes filled with animals and village scenes. They were painted in the style of seventeenth-century Dutch artists such as Paulus Potter, whose paintings he copied. Many of Janson’s patrons were members of Leyden’s upper middle class who wanted a painted visual record of their formal gardens on canvas. Janson also made landscape etchings after his drawings. The estate shown here may have been located in the province of Noordholland, north of Amsterdam.

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Katsushika Hokusai Great Wave Off Kanagawa

August 21, 2014 | Art Gallery

Katsushika Hokusai The Great Wave Off Kanagawa (1830)

The Great Wave off Kanagawa (also known as The Great Wave or simply The Wave, is an ukiyo-e print by Japanese artist Hokusai, published sometime between 1830 and 1833 in the late Edo period as the first print in Hokusai’s series Thirty-six Views of Mount Fuji. It is Hokusai’s most famous work, and one of the best recognized works of Japanese art in the world. It depicts an enormous wave threatening boats off the coast of the prefecture of Kanagawa. While sometimes assumed to be a tsunami, the wave is, as the picture’s title notes, more likely to be a large okinami (“wave of the open sea”). As in all the prints in the series, it depicts the area around Mount Fuji under particular conditions, and the mountain itself appears in the background.

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Claude Monet Sunset In Venice

August 18, 2014 | Art Gallery

Claude Monet Sunset In Venice (1912)

Saint-Georges majeur au crepuscule (Eng: Dusk in Venice, San Giorgio Maggiore by Twilight or Sunset in Venice) is an Impressionist painting by Claude Monet completed between 1908 and 1912. It forms part of a series of views of the monastery-island of San Giorgio Maggiore begun in 1908 during his only visit to Venice. Monet felt Venice was a city “too beautiful to be painted”, which may be why he returned with many paintings unfinished to Giverny, his home in France. However, he had already abandoned his earlier practice of painting from life, in front of the subject; instead he worked on the Venetian scenes at home.