William Morris Blue Tapestry

William Morris Blue Tapestry

William Morris was an English textile designer, artist, writer, and socialist associated with the Pre-Raphaelite Brotherhood and British Arts and Crafts Movement. He founded a design firm in partnership with the artist Edward Burne-Jones, and the poet and artist Dante Gabriel Rossetti which profoundly influenced the decoration of churches and houses into the early 20th century. As an author, illustrator and medievalist, he helped to establish the modern fantasy genre.
Art by William Morris
Beautiful blue tapestry with birds, leaves, flowers and petals
Movement: Arts and Crafts / Art Nouveau
Artistic floral vintage bird flowers pattern foliage fine art.

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William Morris Tree Of Life

William Morris Tree Of Life – Garden Of Delight

William Morris was an English textile designer, artist, writer, and socialist associated with the Pre-Raphaelite Brotherhood and English Arts and Crafts Movement. He founded a design firm in partnership with the artist Edward Burne-Jones, and the poet and artist Dante Gabriel Rossetti which profoundly influenced the decoration of churches and houses into the early 20th century. As an author, illustrator and medievalist, he helped to establish the modern fantasy genre.

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John William Waterhouse The Lady Of Shalott

John William Waterhouse The Lady Of Shalott (1888)

The Lady of Shalott is an 1888 oil-on-canvas painting by the English Pre-Raphaelite painter John William Waterhouse. The work is a representation of a scene from Alfred Lord Tennyson’s 1832 poem of the same name, in which the poet describes the plight of a young woman, loosely based on the figure of Elaine of Astolat from medieval Arthurian legend, who yearned with an unrequited love for the knight Sir Lancelot, isolated under an undisclosed curse in a tower near King Arthur’s Camelot. Tennyson also reworked the story in Elaine, part of his Arthurian epic Idylls of the King, published in 1859, though in this version the Lady is rowed by a retainer in her final voyage. Waterhouse painted three different versions of this character, in 1888, 1894 and 1915.

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