Philip Bowman Evening Colors
Modern Abstract Art – Oil On Canvas
Modern hand-painted abstract art by Philip Bowman. The original painting has sold but the artwork is now available for purchase as fine art prints.
Philip Bowman has been working since several years as a self-employed artist in Berlin, Germany. Numerous of his paintings are part of international and private collections.
Blossoming Almond Tree Canvas Print
Almond Blossom is a painting by Dutch post-impressionist artist Vincent van Gogh.
Vincent Van Gogh Three Sunflowers In A Vase (1888)
Sunflowers (original title in French: Tournesols) are the subject of two series of still life paintings by the Dutch painter Vincent van Gogh. The earlier series executed in Paris in 1887 depicts the flowers lying on the ground, while the second set executed a year later in Arles shows bouquets of sunflowers in a vase. In the artist’s mind both sets were linked by the name of his friend Paul Gauguin, who acquired two of the Paris versions. About eight months later Van Gogh hoped to welcome and to impress Gauguin again with Sunflowers, now part of the painted decoration that he prepared for the guestroom of his Yellow House, where Gauguin was supposed to stay in Arles. After Gauguin’s departure, Van Gogh imagined the two major versions as wings of the Berceuse Triptych, and finally he included them in his exhibit at Les XX in Bruxelles.
Sunflowers (F.453), first version: turquoise background
Oil on canvas, 73.5 x 60 cm
Private collection
Vincent Van Gogh Irises (1889)
Irises is one of many paintings of irises by the Dutch artist Vincent van Gogh. Like many artists of his time Van Gogh was influenced by Japanese ukiyo-e woodblock prints. The strong outlines, unusual angles, including close-up views, is a typical element of Japanese woodblock prints which helped to inforce the expressive power of the painting.
Claude Monet Sunset In Venice (1912)
Saint-Georges majeur au crepuscule (Eng: Dusk in Venice, San Giorgio Maggiore by Twilight or Sunset in Venice) is an Impressionist painting by Claude Monet completed between 1908 and 1912. It forms part of a series of views of the monastery-island of San Giorgio Maggiore begun in 1908 during his only visit to Venice. Monet felt Venice was a city “too beautiful to be painted”, which may be why he returned with many paintings unfinished to Giverny, his home in France. However, he had already abandoned his earlier practice of painting from life, in front of the subject; instead he worked on the Venetian scenes at home.
