Vincent Van Gogh Courtesan

Vincent van Gogh Courtesan: after Eisen
1887 Fine Art Painting
Japonaiserie (English: Japanesery) was the term the Dutch post-impressionist painter Vincent van Gogh used to express the influence of Japanese art.
Before 1854 trade with Japan was confined to a Dutch monopoly and Japanese goods imported into Europe were for the most part confined to porcelain and lacquer ware. The Convention of Kanagawa put an end to the 200 year old Japanese foreign policy of Seclusion and opened up trade between Japan and the West.
Artists such as Manet, Degas and Monet, followed by Van Gogh, began to collect the cheap colour wood-block prints called ukiyo-e prints. For a while Vincent and his brother Theo dealt in these prints and they eventually amassed hundreds of them (now housed in the Van Gogh Museum, Amsterdam).
The May 1886 edition of Paris Illustre was devoted to Japan with text by Tadamasa Hayashi who may have inspired van Gogh’s utopian notion of the Japanese artist:
“Just think of that; isn’t it almost a new religion that these Japanese teach us, who are so simple and live in nature as if they themselves were flowers?”
“And we wouldn’t be able to study Japanese art, it seems to me, without becoming much happier and more cheerful, and it makes us return to nature, despite our education and our work in a world of convention.”
The cover carried a reverse image of a colour woodblock by Keisai Eisen depicting a Japanese courtesan or Oiran. Vincent traced this and enlarged it to produce his painting.
Beautiful Asian style vintage fine art painting wall decor.

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Vincent Van Gogh The Langlois Bridge

Vincent Van Gogh The Langlois Bridge
1888 Fine Art Painting

Vincent Willem van Gogh was a Post-Impressionist painter whose work had a far-reaching influence on 20th-century art. His output includes portraits, self portraits, landscapes and still lifes of cypresses, flower fields, trees in bloom, gardens, wheat fields and flowers. He often painted outdoors, directly from nature, rather than in a studio.
Art by Vincent van Gogh
Movement: Post-Impressionism

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Vincent Van Gogh Bedroom In Arles

Vincent Van Gogh Bedroom In Arles
1888 Fine Art Painting
Bedroom in Arles (French: La Chambre a Arles; Dutch: Slaapkamer te Arles) is the title given to each of three similar paintings by 19th-century Dutch Post-Impressionist painter Vincent van Gogh.
Van Gogh’s own title for this composition was simply The Bedroom (French: La Chambre a coucher). There are three authentic versions described in his letters, easily discernible from one another by the pictures on the wall to the right.
The painting depicts Van Gogh’s bedroom at 2, Place Lamartine in Arles, Bouches-du-Rhone, France, known as his Yellow House. The door to the right was opening to the upper floor and the staircase; the door to the left served the guest room he held prepared for Gauguin. The window in the front wall was looking to Place Lamartine and its public gardens.

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