Vincent Van Gogh Blossoming Almond Tree

August 21, 2014 | Art Gallery

Vincent Van Gogh Blossoming Almond Tree Poster

Blossoming Almond Tree or Almond Blossoms (1890) is a painting by Dutch post-impressionist artist Vincent van Gogh. Theo wrote to his brother Vincent on January 31, 1890 to announce the birth of his son, Vincent Willem Van Gogh. As a means of celebration, Van Gogh began work on a painting for Theo and his wife. He was very close to his brother and he sought to symbolize new life in the flowers of the almond tree for the birth of baby Vincent. The composition is unlike any other of Van Gogh’s paintings.

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Vincent Van Gogh Purple Irises

October 7, 2015 | Art Gallery

Vincent Van Gogh Purple Irises

Irises is one of many paintings of irises by the Dutch artist Vincent van Gogh. This work was influenced by the strong outlines, unusual angles and unconventional coloring of Japanese ukiyo-e woodblock prints.

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Claude Monet Water Lilies

September 19, 2014 | Art Gallery

Claude Monet Waterlilies (1907)

Water Lilies (or Nympheas ) is a series of approximately 250 oil paintings by French Impressionist Claude Monet. The paintings depict Monet’s flower garden at Giverny. Current location: Kawamura Memorial DIC Museum of Art

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Vincent Van Gogh Irises

August 23, 2014 | Art Gallery

Vincent Van Gogh Irises (1889)

Irises is one of many paintings of irises by the Dutch artist Vincent van Gogh. Like many artists of his time Van Gogh was influenced by Japanese ukiyo-e woodblock prints. The strong outlines, unusual angles, including close-up views, is a typical element of Japanese woodblock prints which helped to inforce the expressive power of the painting.

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Claude Monet Sunset In Venice

August 18, 2014 | Art Gallery

Claude Monet Sunset In Venice (1912)

Saint-Georges majeur au crepuscule (Eng: Dusk in Venice, San Giorgio Maggiore by Twilight or Sunset in Venice) is an Impressionist painting by Claude Monet completed between 1908 and 1912. It forms part of a series of views of the monastery-island of San Giorgio Maggiore begun in 1908 during his only visit to Venice. Monet felt Venice was a city “too beautiful to be painted”, which may be why he returned with many paintings unfinished to Giverny, his home in France. However, he had already abandoned his earlier practice of painting from life, in front of the subject; instead he worked on the Venetian scenes at home.