Vincent Van Gogh Wild Roses

Vincent Van Gogh Wild Roses
1890 Fine Art Painting
Wild Roses is a painting by Dutch post-impressionist artist Vincent van Gogh.The artwork belongs to a collection of paintings that Vincent van Gogh did when he was a self-admitted patient at the Saint-Paul asylum in Saint-Remy-de-Provence from May 1889 until May 1890. During much of his stay there he was confined to the grounds of the asylum, and he made paintings of the garden, the enclosed wheat field that he could see outside his room and a few portraits of individuals at the asylum. Nature seemed especially meaningful to him, trees, the landscape, even caterpillars as representative of the opportunity for transformation and budding flowers symbolizing the cycle of life.
Artistic beautiful decorative cute floral vintage wildflowers fine art in shades of dark green and yellow-green.

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William Morris Tree Of Life

William Morris Tree Of Life – Garden Of Delight

William Morris was an English textile designer, artist, writer, and socialist associated with the Pre-Raphaelite Brotherhood and English Arts and Crafts Movement. He founded a design firm in partnership with the artist Edward Burne-Jones, and the poet and artist Dante Gabriel Rossetti which profoundly influenced the decoration of churches and houses into the early 20th century. As an author, illustrator and medievalist, he helped to establish the modern fantasy genre.

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Paul Cezanne Still Life With Fruit, Curtain And Flowered Pitcher

Paul Cezanne Still Life with A Curtain And Flowered Pitcher (1895)

“Still Life with A Curtain And Flowered Pitcher” is a post-impressionist fine art painting by Paul Cezanne featuring oranges and apples on a table, fruits on a plate, a flowered water pitcher and a curtain with an autumn leaves pattern.
Paul Cezanne was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cezanne can be said to form the bridge between late 19th-century Impressionism and the early 20th century’s new line of artistic enquiry, Cubism.

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