Edgar Degas The Dance Lesson

The Dance Lesson Print

Edgar Degas The Dance Lesson (1879)

Edgar Degas was a French artist famous for his paintings, sculptures, prints, and drawings. He is especially identified with the subject of dance; more than half of his works depict dancers. He is regarded as one of the founders of Impressionism, although he rejected the term, and preferred to be called a realist. The Dance Lesson (sometimes known as The Dancing Lesson) is an 1879 oil-on-panel painting by the French artist Edgar Degas. It is currently kept at National Gallery of Art in Washington, D.C.. There is at least one other work by Degas by this title, also made in about 1879, which is a pastel.

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Grant Wood American Gothic

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Grant Wood American Gothic Print

Fine Art Painting
American Gothic is a painting by Grant Wood in the collection of the Art Institute of Chicago. Wood’s inspiration came from what is now known as the American Gothic House, and his decision to paint the house along with “the kind of people I fancied should live in that house.” The painting shows a farmer standing beside his spinster daughter.The figures were modeled by the artist’s sister and their dentist. The woman is dressed in a colonial print apron evoking 19th-century Americana, and the couple are in the traditional roles of men and women, the man’s pitchfork symbolizing hard labor, and the flowers over the woman’s right shoulder suggesting domesticity. The plants on the porch of the house are mother-in-law’s tongue and geranium, which are the same plants as in Wood’s 1929 portrait of his mother, Woman with Plants.
It is one of the most familiar images in 20th-century American art, and has been widely parodied in American popular culture.

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John William Waterhouse The Lady Of Shalott

The Lady Of Shalott Print

John William Waterhouse The Lady Of Shalott (1888)

The Lady of Shalott is an 1888 oil-on-canvas painting by the English Pre-Raphaelite painter John William Waterhouse. The work is a representation of a scene from Alfred Lord Tennyson’s 1832 poem of the same name, in which the poet describes the plight of a young woman, loosely based on the figure of Elaine of Astolat from medieval Arthurian legend, who yearned with an unrequited love for the knight Sir Lancelot, isolated under an undisclosed curse in a tower near King Arthur’s Camelot. Tennyson also reworked the story in Elaine, part of his Arthurian epic Idylls of the King, published in 1859, though in this version the Lady is rowed by a retainer in her final voyage. Waterhouse painted three different versions of this character, in 1888, 1894 and 1915.

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