Vincent Van Gogh Street In Auvers-Sur-Oise

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Vincent van Gogh Street in Auvers-sur-Oise

1890 Painting

Vincent Willem van Gogh was a major Post-Impressionist painter. His work had a far-reaching influence on 20th-century art. His output includes portraits, self portraits, landscapes, and still lifes of cypresses, wheat fields and sunflowers. Van Gogh drew as a child but did not paint until his late twenties. In just over a decade, he produced more than 2,100 artworks, including 860 oil paintings and more than 1,300 watercolors, drawings, sketches and prints.

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Vincent Van Gogh Wheat Field In Rain

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Vincent Van Gogh Wheat Field In Rain

The Wheat Field is a series of oil paintings executed by Vincent van Gogh in Saint-Remy-de-Provence. All of them depict the view Van Gogh had from the window of his bedroom on the top floor of the asylum: a field enclosed by stone walls just beneath his window and excluded from normal life by the rear wall of the asylum grounds; beyond this enclosure farm land, accompanied by olive groves and vineyards, ran up to the hills at the foot of the mountain range called Les Alpilles.
Saint-Remy, November 1889
Beautiful vintage fine art painting wall decor.

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Vincent Van Gogh View Of Vessenots Near Auvers

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Vincent Van Gogh View of Vessenots Near Auvers
1890 Fine Art Painting

Vincent Willem van Gogh was a major Post-Impressionist painter. His work had a far-reaching influence on 20th-century art. His output includes portraits, self portraits, landscapes, and still lifes of cypresses, wheat fields and sunflowers. Van Gogh drew as a child but did not paint until his late twenties. In just over a decade, he produced more than 2,100 artworks, including 860 oil paintings and more than 1,300 watercolors, drawings, sketches and prints.

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Vincent Van Gogh Olive Trees

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Vincent van Gogh Olive Trees

Olive Trees / Olive Trees with yellow sky and sun
Saint-Remy, November 1889
Vincent van Gogh painted at least 18 paintings of olive trees, mostly in Saint-Remy in 1889. At his own request, he lived at an asylum there from May 1889 through May 1890 painting the gardens of the asylum and, when he had permission to venture outside its walls, nearby olive trees, cypresses and wheat fields.
One painting, Olive Trees in a Mountainous Landscape, was a complement to The Starry Night.
The olive tree paintings had special significance for Van Gogh. A group in May 1889 represented life, the divine and the cycle of life while those from November 1889 arose out of Van Gogh’s attempt to symbolize his feelings about Christ in Gethsemane. His paintings of olive pickers demonstrate the relationship between man and nature by depicting one of the cycles of life, harvesting or death. It is also an example of how individuals, through interaction with nature, can connect with the divine.
Van Gogh found respite and relief in interaction with nature. When the series of olive tree paintings was made in 1889 Van Gogh was subject to illness and emotional turmoil, yet the paintings are among his finest works.

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