Vincent Van Gogh Olive Trees

Vincent van Gogh Olive Trees

Olive Trees / Olive Trees with yellow sky and sun
Saint-Remy, November 1889
Vincent van Gogh painted at least 18 paintings of olive trees, mostly in Saint-Remy in 1889. At his own request, he lived at an asylum there from May 1889 through May 1890 painting the gardens of the asylum and, when he had permission to venture outside its walls, nearby olive trees, cypresses and wheat fields.
One painting, Olive Trees in a Mountainous Landscape, was a complement to The Starry Night.
The olive tree paintings had special significance for Van Gogh. A group in May 1889 represented life, the divine and the cycle of life while those from November 1889 arose out of Van Gogh’s attempt to symbolize his feelings about Christ in Gethsemane. His paintings of olive pickers demonstrate the relationship between man and nature by depicting one of the cycles of life, harvesting or death. It is also an example of how individuals, through interaction with nature, can connect with the divine.
Van Gogh found respite and relief in interaction with nature. When the series of olive tree paintings was made in 1889 Van Gogh was subject to illness and emotional turmoil, yet the paintings are among his finest works.

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Vincent Van Gogh Bank Of The Seine

Vincent Van Gogh Bank Of The Seine

1887 Fine Art Landscape Painting.
Seine paintings is the subject and location of paintings that Vincent van Gogh made in 1886. The Seine has been an integral part of Parisian life for centuries for commerce, travel and entertainment. Here Van Gogh primarily captures the respite and relief from city life found in nature.
A few of the paintings were made in Paris and the rest in the northwestern suburbs of Paris in Clichy and Asnieres. Through these works the audience can see a transition in Van Gogh’s work ftrom one of dark colors and serious themes to more joyous use of color and light and choice of themes.
In the Netherlands Van Gogh was influenced by great Dutch masters as well as cousin-in-law Anton Mauve a Dutch realist painter who was a leading member of the Hague School. In Paris Van Gogh was exposed to and influenced by Impressionism, Symbolism, Pointillism, and Japanese woodblock print genres which were overtime integrated into his works. The spring of 1887 seemed to trigger an awakening within Van Gogh where he experimented with the genres to develop his personal style.

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Vincent Van Gogh Avenue Of Poplars In Autumn

Vincent Van Gogh Avenue Of Poplars In Autumn
1884 Fine Art Landscape Painting
Avenue of Poplars in Autumn is an oil painting created in 1884 by Vincent van Gogh.
In October 1884 Van Gogh described Avenue of Poplars in Autumn to his brother Theo, “The last thing I made is a rather large study of an avenue of poplars, with yellow autumn leaves, the sun casting, here and there, sparkling spots on the fallen leaves on the ground, alternating with the long shadows of the stems. At the end of the road is a small cottage, and over it all the blue sky through the autumn leaves.”

avenue-of-poplars-in-autumn-vincent-van-gogh

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Vincent Van Gogh Apples

Vincent Van Gogh Apples
1887 Fine Art Painting
Still life paintings by Vincent van Gogh (Paris) is the subject of many drawings, sketches and paintings by Vincent van Gogh in 1886 and 1887 after he moved to Paris from the Netherlands. While in Paris, Van Gogh transformed the subjects, color and techniques that he used in creating still life paintings.
He saw the work and met the founders and key artists of Impressionism, Pointillism and other movements and began incorporating what he learned into his work. Japanese art, Ukiyo-e, and woodblock prints also influenced his approach to composition and painting.

apples-vincent-van-gogh

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Vincent Van Gogh Almond Tree In Blossom

Vincent Van Gogh Almond Tree In Blossom

1888 Fine Art Painting
Almond Blossoms is from a group of several paintings made in 1888 and 1890 by Vincent van Gogh in Arles and Saint-Remy, southern France of blossoming almond trees. Flowering trees were special to Van Gogh. They represented awakening and hope. He enjoyed them aesthetically and found joy in painting flowering trees. The works reflect Impressionist, Divisionist and Japanese woodcut influences. Almond Blossoms was made to celebrate the birth of his nephew and namesake, son of his brother Theo and sister-in-law Jo.

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