Gustav Klimt Hope I

Gustav Klimt Hope I

1903 Fine Art Painting
The unusual subject and its formal rendition created critical perplexity, so much so that, in order for Klimt to exhibit this work, he had to give it a religious interpretation. The pregnancy theme had already been present in one of the artist’s figures in Medicine and the Beethoven Frieze. In 1907-08 Klimt will paint a second version, Hope II, this time with the pregnant woman wearing a highly stylised and geometric dress.

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Hieronymus Bosch The Garden Of Earthly Delights

Hieronymus Bosch The Garden Of Earthly Delights (1500)

The Garden of Earthly Delights is the modern title given to a triptych painted by the Early Netherlandish master Hieronymus Bosch. It has been housed in the Museo del Prado in Madrid since 1939. Dating from between 1490 and 1510, when Bosch was about 40 or 50 years old, it is his best-known and most ambitious, complete work. It reveals the artist at the height of his powers; in no other painting does he achieve such complexity of meaning or such vivid imagery. The triptych is painted in oil on oak and is formed from a square middle panel flanked by two other oak rectangular wings that close over the center as shutters. The outer wings, when folded, show a grisaille painting of the earth during the biblical narrative of Creation. The three scenes of the inner triptych are probably (but not necessarily) intended to be read chronologically from left to right. The left panel depicts God presenting Eve to Adam, the central panel is a broad panorama of figures, fantastical animals, oversized fruit and hybrid stone formations. The right panel is a hellscape and portrays the torments of damnation.

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Sandro Botticelli The Birth Of Venus

Sandro Botticelli The Birth Of Venus (1486)

The Birth of Venus (Italian: Nascita di Venere) is a 1486 painting by Sandro Botticelli. Botticelli was commissioned to paint the work by the Medici family of Florence, specifically Lorenzo di Pierfrancesco de’ Medici under the influence of his cousin Lorenzo de’ Medici, close friend to Botticelli. It depicts the goddess Venus, having emerged from the sea as a fully grown woman, arriving at the sea-shore (which is related to the Venus Anadyomene motif). The painting is on display at the Uffizi Gallery in Florence, Italy.

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